From writer-director Kirby McClure, Spaghetti Junction is the latest to blend the elements of the socially realistic family drama with the surrealist sci-fi fantasy.
Film Review: ‘Spaghetti Junction’ (2021) – MANIFF 2022
Film Review: ’18 1/2′ (2021) – MANIFF 2022
The film responsible for Dan Mirvish winning the Best Director award at MANIFF 2022, 18 ½ is a comedy-drama dripped in paranoia involving the discovery of the missing duration of the infamous Nixon tapes.
Film Review: ‘Swan Song’ (2021) – MANIFF 2022
The best film from the opening weekend of MANIFF 2022, writer-director Todd Stephens presents veteran Udo Kier with the stage to perform a career best performance, dripping in the spectacular and flamboyance.
Film Review: ‘The Batman’ (2022)
The Bat is back. Simple as that. 30 years after the cartoonishly dark, Batman Returns, Matt Reeves reboots the Bat in jet black, featuring the immense Robert Pattinson donning the cape and cowl.
Film Review: ‘Ali & Ava’ (2021)
Love is love. For Ali and Ava, love is a redemption. Coming from different backgrounds with different experiences, love poses no judgment nor prejudice. For Ali and Ava, love gives them another opportunity at life.
Film Review: Texas Chainsaw Massacre (2022)
Almost 50 years since The Texas Chainsaw Massacre, and we have yet another addition within a franchise as good as a blunt chainsaw. With Texas Chainsaw Massacre, exclusive to Netflix, there is hope of a well needed oil change for this horror franchise.
Film Review: ‘Caught in Time’ (2020)
Based upon the crimes of Zhang Jun in early 90s China, Caught in Time presents a stylish cat and mouse thriller entailing an array of blood, guts and murder…all within a respectable running time.
Film Review: ‘Moonfall’ (2022)
From Roland Emmerich - the director of the disaster - comes the latest extravaganza of the ludicrous: Moonfall.
Blu-ray Review: ‘Stagefright’ (1987)
Fresh from a 4K restoration, 1987’s Stagefright is the latest addition to Shameless Films’ sleazy sensations. Pictured on the front cover is the Night Owl wielding a chainsaw, but make no mistake - this isn’t Peter Gabriel in Genesis, but instead a psychotic killer with a theatre production at his whim.
Film Review: ‘Ghostbusters: Afterlife’ (2021)
37 years after the release of the greatest film ever made, the Ghostbusters franchise breathes new life with the latest installment, Ghostbusters: Afterlife.
Film Review: ‘Apex Predator’ (2021)
Imagine a Diet Coke Hard Target, but worse than that, and sci-fi: hello Apex Predator.
Film Review: ‘Every Last One of Them’ (2021)
Jake Hunter (Paul Sloan) is a father out on the loose. His daughter is missing, and he demands answers.
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