The second of a late-night Giallo Double-bill, Manhattan Zodiac ‘77 is an exploitive spectacle of a slasher and sleaze. Continue reading Film Review: ‘Manhattan Zodiac ’77’ (2023) – GASP! Horror Film Festival 2024
The first of a late-night Giallo Double-bill, The Old Man in the Rocking Chair is a short, yet lengthy tribute to the greatest of Giallo classics. Continue reading Film Review: ‘The Old Man in the Rocking Chair’ (2022) – GASP! Horror Film Festival 2024
Stylish, seductive, and intense, Femme is the latest hit from Signature Entertainment. Continue reading Film Review: ‘Femme’ (2023)
The Price We Pay opens with a considerably eerie and technically superb pre-title sequence that sees… Continue reading Film Review: ‘The Price We Pay’ (2022)
Sylvester Stallone returns, albeit for roughly 20 minutes, in the fourth instalment of the Divorced Dads’ Club favourite franchise: Expend4bles. Continue reading Film Review: ‘Expend4bles’ (2023)
From 101 Films, Maggie Q kicks ass throughout the night in the countryside in the latest home invasion thriller, Fear the Night. Continue reading Film Review: ‘Fear the Night’ (2023)
Opening with a quick, aggressive, and bloody flashback, a grim tone is immediately established. Continue reading Film Review: ‘Mercy Falls’ (2023)
Kickboxing giant, Rico Verhoeven, takes the fight to Frank Grillo’s crime underworld in a European adventure that combines personal tragedy and quick-fire action. Continue reading Film Review: ‘Black Lotus’ (2023)
Back in a dash, Ezra Miller returns as The Flash. This time, however, they’re twice the trouble… Continue reading Film Review: ‘The Flash’ (2023)
Casual sex, intimate encounters, one night stands etc. They are books which immediately close as they open. Continue reading Film Review: ‘Puck’ (2023) – MANIFF 2023
A community radio host has the opportunity to leave and progress from his neighbourhood of Kaimukī – the move, however, is as daunting as it is ambitious. Continue reading Film Review: ‘Every Day in Kaimuki’ (2022) – MANIFF 2023
Two tormented characters, either side of human trafficking, find their paths merge into one in FGKO’s gritty adaptation of Rémy Lasource’s Du crepitement sous les neons Continue reading Film Review: ‘Blazing Neon’ (2022) – MANIFF 2023
