For SetTheTape.com: “Manchester Film Festival: Painted Woman”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi James Cotten’s female-led western, Painted Woman, opened the 2018 Manchester Film Festival, and audiences witnessed a presentation of a female hero braking from her constraints and ensuring that the next generation is safer from paedophilia, prostitution and physical abuse. Painted Woman’s plot … Continue reading For SetTheTape.com: “Manchester Film Festival: Painted Woman”

For SetTheTape.com: “Cop Land: A failed comeback for Sly Stallone”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi Back in the 1990s, indie-produced films – significantly, those made by Miramax – were challenging the Hollywood supreme. The biggest and best is example is undoubtedly, Quentin Tarantino’s Pulp Fiction from 1994. Three years later, however, post-prime action star, Sylvester Stallone, landed … Continue reading For SetTheTape.com: “Cop Land: A failed comeback for Sly Stallone”

For SetTheTape.com: “Rule Britannia: British Music in 1987”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi Back in the decade of outrageous haircuts, synthesizers and questionable outfits, British music was actually alright. In the 1980s, from Bowie to Bond themes, British music was often the safe getaway from the soul-destroying antics of the Thatcher government. 1987, however, was … Continue reading For SetTheTape.com: “Rule Britannia: British Music in 1987”

For SetTheTape.com: “From Hong Kong to the US: Filmmakers in Transition”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi In the 1990s, key practitioners and performers from the Hong Kong film industry were transitioning to the golden land of Hollywood – but why? The “Handover” was fast approaching and the film industry was imploding – but why? The Hong Kong film … Continue reading For SetTheTape.com: “From Hong Kong to the US: Filmmakers in Transition”

For ReadFilm.co: “Review: ‘mother!’ (2017)”

Darren Aronofsky – the director behind Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010) – is back with his newest two-hour controversy, mother!, a film that is pure marmite… you’ll either love it or hate it. View this post on Instagram A post shared by mother! movie (@mothermovie) Opening with the semi-terrifying imagery of a horrifically-burnt individual, mother! presents the story of a boring couple, Him (Javier Bardem) and Mother … Continue reading For ReadFilm.co: “Review: ‘mother!’ (2017)”

‘X-Men’ Movie Marathon: Part II

Welcome back! You’re in for a treat, folks, as two of the three X-Men movies within this part of the marathon are within my “Top 3 of the X-Men Film Franchise” – Days of Future Past and Logan, obviously.   “The best since X2!” – Fans, 2014 My god, the above is/was disgustingly true. Days of Future Past was an absolute joy to watch. The concept of linking the heroes of the original X-Men trilogy … Continue reading ‘X-Men’ Movie Marathon: Part II

‘X-Men’ Movie Marathon: Part I

From 2000’s X-Men to this year’s Logan, over the past 3-4 weeks I have completed a marathon of 20th Century Fox’s most prolific superhero film franchise. TRIVIA: Logan is the only X-Men film that I have watched in the cinema. Initially, Mumsy possessed the desire to watch Days of Future Past, though she had not previously watched First Class, or properly watched the original trilogy; however, she had seen the trio of Origins: Wolverine, The … Continue reading ‘X-Men’ Movie Marathon: Part I

For ReadFilm.co: “Review: ‘China O’Brien’ (1990)”

In both academia and worldwide fandom, the American actress Cynthia Rothrock has been regarded as both the “Queen of Martial Arts” and the “Queen of Video”. View this post on Instagram A post shared by Mayfair Theatre (@mayfairtheatre) After a successful few years in mainstream Hong Kong action cinema, her time had come to be returned home and launched in the American market – this came in … Continue reading For ReadFilm.co: “Review: ‘China O’Brien’ (1990)”

For ReadFilm.co: “Review: ‘Westworld’ (1973)”

Westworld; Director: Michael Crichton; UK Distributor: CIC. Country: USA. Due to the popularity of the contemporary Westworld TV series, I thought that now would be a good opportunity to expose the 1973 film, of which the series is “inspired” by. 1973’s Westworld was written and directed by Michael Crichton, the dude who later wrote the Jurassic Park novel. The story is of two friends’ (James Brolin and Richard Benjamin) time at a futuristic … Continue reading For ReadFilm.co: “Review: ‘Westworld’ (1973)”

For ReadFilm.co: “Review: ‘Phantasm: Ravager’ (2016)”

Phantasm: Ravager; Director: David Hartman; US Distributor: Well Go USA Entertainment; Country: USA. The first Phantasm film since 1998’s Phantasm IV: Oblivion, but the first to NOT be directed by series creator, Don Coscarelli, however, he does have a writing credit. This is… Phantasm: Ravager. My recommendation: do not watch Phantasm: Ravager if you haven’t watched the preceding films.  As one would expect, the film opens with the heroic former ice cream vendor, Reggie. Kinda picking … Continue reading For ReadFilm.co: “Review: ‘Phantasm: Ravager’ (2016)”