For SetTheTape.com: “Manchester Film Festival: Love is Dead”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi In the modern world, relationship break-ups are established by Twitter DMs, Facebook messages or even snaps on Snapchat, but what if there could be a way how a third party could organise the break-up – with official documents too? You have Love … Continue reading For SetTheTape.com: “Manchester Film Festival: Love is Dead”

For SetTheTape.com: “Manchester Film Festival: Bernard and Huey”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi Friendships can last a lifetime, but they can also last for five minutes. Friendships can end, but then resume after years apart. Friends can see friends reverse roles, but for roles to reserve again. In Bernard and Huey, old friends are reunited, … Continue reading For SetTheTape.com: “Manchester Film Festival: Bernard and Huey”

For SetTheTape.com: “Manchester Film Festival: Painted Woman”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi James Cotten’s female-led western, Painted Woman, opened the 2018 Manchester Film Festival, and audiences witnessed a presentation of a female hero braking from her constraints and ensuring that the next generation is safer from paedophilia, prostitution and physical abuse. Painted Woman’s plot … Continue reading For SetTheTape.com: “Manchester Film Festival: Painted Woman”

For ReadFilm.co: “Review: ‘mother!’ (2017)”

Darren Aronofsky – the director behind Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010) – is back with his newest two-hour controversy, mother!, a film that is pure marmite… you’ll either love it or hate it. View this post on Instagram A post shared by mother! movie (@mothermovie) Opening with the semi-terrifying imagery of a horrifically-burnt individual, mother! presents the story of a boring couple, Him (Javier Bardem) and Mother … Continue reading For ReadFilm.co: “Review: ‘mother!’ (2017)”

For ReadFilm.co: “Review: ‘Arrival’ (2016)”

Amy Adams – the best actress in contemporary American cinema – delivers an out-of-this-world performance in 2016’s best science-fiction movie. If a certain election result has ruined your week, then you can quickly remove the despair by watching Arrival. In 2014 on Instagram, I labeled Prisoners as “Quite possibly the best mainstream thriller within the last five years.” View this post on Instagram A post shared by Dominic Hastings (@thisisthedom) Prisoners‘ … Continue reading For ReadFilm.co: “Review: ‘Arrival’ (2016)”

For ReadFilm.co: “Review: ‘China O’Brien’ (1990)”

In both academia and worldwide fandom, the American actress Cynthia Rothrock has been regarded as both the “Queen of Martial Arts” and the “Queen of Video”. View this post on Instagram A post shared by Mayfair Theatre (@mayfairtheatre) After a successful few years in mainstream Hong Kong action cinema, her time had come to be returned home and launched in the American market – this came in … Continue reading For ReadFilm.co: “Review: ‘China O’Brien’ (1990)”

For ReadFilm.co: “Review: ‘Westworld’ (1973)”

Westworld; Director: Michael Crichton; UK Distributor: CIC. Country: USA. Due to the popularity of the contemporary Westworld TV series, I thought that now would be a good opportunity to expose the 1973 film, of which the series is “inspired” by. 1973’s Westworld was written and directed by Michael Crichton, the dude who later wrote the Jurassic Park novel. The story is of two friends’ (James Brolin and Richard Benjamin) time at a futuristic … Continue reading For ReadFilm.co: “Review: ‘Westworld’ (1973)”

For ReadFilm.co: “Review: ‘Phantasm: Ravager’ (2016)”

Phantasm: Ravager; Director: David Hartman; US Distributor: Well Go USA Entertainment; Country: USA. The first Phantasm film since 1998’s Phantasm IV: Oblivion, but the first to NOT be directed by series creator, Don Coscarelli, however, he does have a writing credit. This is… Phantasm: Ravager. My recommendation: do not watch Phantasm: Ravager if you haven’t watched the preceding films.  As one would expect, the film opens with the heroic former ice cream vendor, Reggie. Kinda picking … Continue reading For ReadFilm.co: “Review: ‘Phantasm: Ravager’ (2016)”

For ReadFilm.co: “Review: ‘Blood Father’ (2016)”

  Blood Father; Director: Jean-François Richet; Distributor: SND Films; Country: France. Whether you like him or not, Mel Gibson produces a very good Martin Riggs/Mad Max-hybrid performance in the best action film you’ll watch this year that doesn’t have a 2 1/2 hour running time. The original Road Warrior, aged 60, and sporting a grey beard with grey head hair, is directed by Jean-François Richet – the director of … Continue reading For ReadFilm.co: “Review: ‘Blood Father’ (2016)”

For ReadFilm.co: “Review: ‘Kickboxer: Vengeance'(2016)”

  Kickboxer: Vengeance (2016); Director: John Stockwell; Distributor: RLJ Entertainment; Country: USA. 27 years after the original, Jean-Claude Van Damme is back on (selected) big screens in a new Kickboxer film – he shows that he’s still got the moves, but from the shadows of a supporting role. Directed by John Stockwell, Kickboxer: Vengeance is the sixth Kickboxer film in total, but this new addition … Continue reading For ReadFilm.co: “Review: ‘Kickboxer: Vengeance'(2016)”

108 Words on ‘First Blood’

The following 108 word section on First Blood is something I wrote for a journalism module at uni. The review is written as if in 1982, and First Blood is a contemporary film. Enjoy…   Directed by Ted Kotcheff, Sylvester Stallone gives his best blockbuster performance since winning title gold in Rocky II (1979), in a transition into the action genre, as war hero John Rambo in First Blood … Continue reading 108 Words on ‘First Blood’