A legend in the Hollywood makeup scene, Hope Goldman (Elizabeth Banks) is on the verge of launching her own range of products, and with a television interview recorded, she’s about to take her career to the next level…or so she thinks. Continue reading Film Review: ‘Skincare’ (2024) – BFI London Film Festival
Former women’s prison, HMP Prison Holloway, is awaiting its demolition as it sits abandoned and desolate, existing in a stale form as wildlife gradually reclaims its land. Continue reading Film Review: ‘Holloway’ (2024) – BFI London Film Festival
Five years from his Oscar-winning portrayal as Arthur Fleck, aka Joker, Joaquin Phoenix returns as the titular character in a potentially more divisive film than its predecessor. Continue reading Film Review: ‘Joker: Folie à Deaux’ (2024)
The “Ghost with the most” is finally back now that Michael Keaton is back in fashion. Continue reading Film Review: ‘Beetlejuice Beetlejuice’ (2024)
From Reel 2 Reel Films, we have a new film detailing addiction, trauma…and whether you would take drugs with a gun pointed at your head. Continue reading Film Review: ‘The Group’ (2022)
Revealed to be the Mystery Queer Classic to close the second day of GASP! Horror Film Festival, The Lost Boys is the 1987 classic teen vampire horror, directed by Joel Schumacher. Continue reading Film Review: ‘The Lost Boys’ (1987) – GASP! Horror Film Festival 2024
Opening with a murder within the corn field… Is this Children of the Corn, or even Freddy vs. Jason? No, it’s Happy Halloween, a feature from the final day of GASP! Horror Film Festival. Continue reading Film Review: ‘Happy Halloween’ (2023) – GASP! Horror Film Festival 2024
The second of a late-night Giallo Double-bill, Manhattan Zodiac ‘77 is an exploitive spectacle of a slasher and sleaze. Continue reading Film Review: ‘Manhattan Zodiac ’77’ (2023) – GASP! Horror Film Festival 2024
The first of a late-night Giallo Double-bill, The Old Man in the Rocking Chair is a short, yet lengthy tribute to the greatest of Giallo classics. Continue reading Film Review: ‘The Old Man in the Rocking Chair’ (2022) – GASP! Horror Film Festival 2024
Stylish, seductive, and intense, Femme is the latest hit from Signature Entertainment. Continue reading Film Review: ‘Femme’ (2023)
The Price We Pay opens with a considerably eerie and technically superb pre-title sequence that sees… Continue reading Film Review: ‘The Price We Pay’ (2022)
Sylvester Stallone returns, albeit for roughly 20 minutes, in the fourth instalment of the Divorced Dads’ Club favourite franchise: Expend4bles. Continue reading Film Review: ‘Expend4bles’ (2023)
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