Film Review: ‘Expend4bles’ (2023)
Sylvester Stallone returns, albeit for roughly 20 minutes, in the fourth instalment of the Divorced Dads’ Club favourite franchise: Expend4bles. Continue reading Film Review: ‘Expend4bles’ (2023)
Sylvester Stallone returns, albeit for roughly 20 minutes, in the fourth instalment of the Divorced Dads’ Club favourite franchise: Expend4bles. Continue reading Film Review: ‘Expend4bles’ (2023)
From 101 Films, Maggie Q kicks ass throughout the night in the countryside in the latest home invasion thriller, Fear the Night. Continue reading Film Review: ‘Fear the Night’ (2023)
Craig Fairbrass returns as the iconic hardman, Pat Tate, in the latest of the crime franchise, Rise of the Footsoldier: Vengeance. This latest edition, leading at the forefront of British independent cinema, exists as a more mature and evolved installment, resulting in the best the franchise has to offer. Continue reading Film Review: ‘Rise of the Footsoldier: Vengeance’ (2023)
The latest from 101 Films sees Robert Patrick return to cybernetic sci-fi, with Hong Kong veteran Byron Mann leading the way as a super soldier of sorts. Continue reading Film Review: ‘Dark Asset’ (2023)
Opening with a quick, aggressive, and bloody flashback, a grim tone is immediately established. Continue reading Film Review: ‘Mercy Falls’ (2023)
Kickboxing giant, Rico Verhoeven, takes the fight to Frank Grillo’s crime underworld in a European adventure that combines personal tragedy and quick-fire action. Continue reading Film Review: ‘Black Lotus’ (2023)
From Vertigo Releasing, Supercell presents the thrill of the chase, and what it means to be a stormchaser. Continue reading Film Review: ‘Supercell’ (2023)
Back in a dash, Ezra Miller returns as The Flash. This time, however, they’re twice the trouble… Continue reading Film Review: ‘The Flash’ (2023)
Strolling into town, Neal McDonough stars as the titular character, Boon, but he doesn’t arrive alone; he comes equipped with mystery and style, both in equal measure of indulgence. Continue reading Film Review: ‘Boon’ (2022)
Casual sex, intimate encounters, one night stands etc. They are books which immediately close as they open. Continue reading Film Review: ‘Puck’ (2023) – MANIFF 2023
A community radio host has the opportunity to leave and progress from his neighbourhood of Kaimukī – the move, however, is as daunting as it is ambitious. Continue reading Film Review: ‘Every Day in Kaimuki’ (2022) – MANIFF 2023
Two tormented characters, either side of human trafficking, find their paths merge into one in FGKO’s gritty adaptation of Rémy Lasource’s Du crepitement sous les neons Continue reading Film Review: ‘Blazing Neon’ (2022) – MANIFF 2023