Death Alley is available now on digital from Uncork'd Entertainment.
Running at 71 minutes, semi-disgraced writer-director, James Toback, has managed to add new meanings to the term, “pretentious,”, with his latest (and hopefully last) film, An Imperfect Murder aka The Private Life of a Modern Woman.
In horror films when families move into a new house or a new town, they always seem to stumble upon a terror of sorts. The Parish is no different in this regard, however, its execution establishes an air on mystique and uncertainty.
Imagine a family film with vague likenesses to both Willy Wonka and the Goosebumps series, that manages to strike many chords of relevancy in a digital world… You have Max Winslow and the House of Secrets.
Simon West – the visionary director behind one of the greatest films of all-time: Con Air – is back with more explosive action on screen in Skyfire …
Erin (Catherine Morvell) is a vulnerable and reserved college student. Working in a cafe, she is abused and taken advantage of by the customers. It’s unfair, disgusting, and is just another layer of annoyance present in an already difficult life.
Intercutting its opening titles with the loading of a gun, A Clear Shot immediately hooks you in with its projected intensity.
As one would naturally expect, Girls Just Wanna Have Blood opens with a deadly bite of sickly sleaze, but is yet accompanied (and quite often too) with a killer rock soundtrack… almost Giallo-esque.
Opening in a palette of creepy-cool midnight blue, Ashley-Kae (Erika Edwards) retells her nighttime childhood entailing her fear of the terrifying Sister Monday (Felissa Rose) hidden under the bed, in her closet, and in her head.
Benton, NY. October 31st 2015. Spin the bottle? No, spin the knife. High school students are getting loose and wild at a party, but what they don’t realise, is that they’re about to witness the outburst of a monster. Trick is that monster.
A family trip down to the river they said. It will be peaceful and provide closure they also said. No chance…
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