For SetTheTape.com: “Manchester Film Festival: Nona”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi Michael Polish’s Nona closed the 2018 Manchester Film Festival, as audiences were left depressed with the presentation of how hope and risk can lead to despicable outcomes that no woman should have to live under. Nona opens with a brief narration by … Continue reading For SetTheTape.com: “Manchester Film Festival: Nona”

For SetTheTape.com: “Manchester Film Festival: Painted Woman”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi James Cotten’s female-led western, Painted Woman, opened the 2018 Manchester Film Festival, and audiences witnessed a presentation of a female hero braking from her constraints and ensuring that the next generation is safer from paedophilia, prostitution and physical abuse. Painted Woman’s plot … Continue reading For SetTheTape.com: “Manchester Film Festival: Painted Woman”

For SetTheTape.com: “The 15:17 to Paris’ Clint Eastwood – Play Misty for Me”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi Within the short period between the conclusion of Man with No Name’s story and the debut of “Dirty” Harry Callahan, Clint Eastwood would find himself in the director’s chair for the utterly terrifying drama-thriller, Play Misty for Me in 1971. In terms … Continue reading For SetTheTape.com: “The 15:17 to Paris’ Clint Eastwood – Play Misty for Me”

For SetTheTape.com: “From Hong Kong to the US: Filmmakers in Transition”

• LIKE on Facebook   • FOLLOW on Twitter   • FOLLOW on Instagram • SUBSCRIBE on YouTube   • BUY ME A COFFEE on Ko-Fi In the 1990s, key practitioners and performers from the Hong Kong film industry were transitioning to the golden land of Hollywood – but why? The “Handover” was fast approaching and the film industry was imploding – but why? The Hong Kong film … Continue reading For SetTheTape.com: “From Hong Kong to the US: Filmmakers in Transition”

Shot at 60 part XX: Halloween 2017

Happy Halloween, folks. To celebrate this year’s Halloween, here is a horror-only Shot at 60 post, and sequel to 2014’s first Halloween/horror-themed Shot at 60. Unlike the usual formula of three 1970s screenshots, two 1980s, two 1990s, and two 2000s, this newest edition of Shot at 60 is the start of a changed formula consisting of two 1970s screenshots, two 1980s, two 1990s, two 2000s, and one 2010s. Enjoy!   … Continue reading Shot at 60 part XX: Halloween 2017

For ReadFilm.co: “Review: ‘China O’Brien’ (1990)”

In both academia and worldwide fandom, the American actress Cynthia Rothrock has been regarded as both the “Queen of Martial Arts” and the “Queen of Video”. View this post on Instagram A post shared by Mayfair Theatre (@mayfairtheatre) After a successful few years in mainstream Hong Kong action cinema, her time had come to be returned home and launched in the American market – this came in … Continue reading For ReadFilm.co: “Review: ‘China O’Brien’ (1990)”

Obscure Movie Villains: “Stingray” from ‘Undefeatable’

First presented in a sequence of attacks from an underground “death match”, “Stingray” (real name: Paul Taylor) is the antagonist of the US-shot Hong Kong production, Undefeatable (Ho, 1993). “Stingray” is not only a skilled and deadly fighter; he is a psychotic wife beater. In an early scene, “Stingray” rapes his wife, which leads to her fleeing the family home – this drives “Stingray” on a personal … Continue reading Obscure Movie Villains: “Stingray” from ‘Undefeatable’